Bouba the Boat Builder
Sent 06/20/06
We walk by the riverside. It's a jumble of small gardens, people washing and fishing by the riverside, young men porting sand from the boats to nearby trucks and, most importantly, people building boats. This area, Djikoroni Para, is just outside the city proper, but it feels so far away. Despite the mass of people there is a sense of calm here. Free of the honking cabs and incessant pollution of the city centre, people here are able to move at a more civilized pace.

We walk further down the road, past where the large transport boats are being built, eventually reaching a small covered area behind a mosque. This is it - Bouba's shop. A partially finished boat bottom sits on the ground, the beginnings of our home on the river. I can only see the rough outline of a boat in the planks of wood sitting in his workshop, but I can already see our boat in my mind. I'm excited, but mostly interested and intrigued to find out how this man is going to craft the ungainly pile of wood into a boat.

As we enter the work area Bouba looks up, nods his head to acknowledge our presence and quickly goes back to work. I don't feel slighted by the lack of attention; it is clear he is just deeply focussed on the task at hand.
Bouba's assistant brings two pieces of wood over from the pile. The two men then begin to discuss which one should go where. Putting this boat together seems like a jigsaw puzzle. The long strips are nowhere near uniform and Bouba carefully ponders which piece will fit where. I left Canada half way through the process of building a cedar strip canoe with my father, so I'm interested to compare techniques.

Bouba quickly chops away at the new piece to get it close to the desired shape. Most of his work is done with just a few tools - a hand drill, a handsaw, a hammer and two swinging chisels. His chisels look somewhat like small hatchets with the blade turned sideways. It seems as if his favourite chisel never leaves his hand. He can do whatever he wants with this one tool, shaping the wood into the right form, smoothing the surface of the wood like a plane, cutting out sections of bad wood, or hammering pieces into place.

The way Bouba is building our boat isn't how I would put it together. But then again, I'm thinking about the workshop I have at home, and the materials available in North America. Bouba works within his local context - the materials available dictate a certain method of construction. The reality is that many boats are built or at a minimum repaired in rural areas where power tools would be of little use. Even if electricity were available, buying power tools would be expensive, and once they broke they would be hard to repair. Bouba's method of building is low-risk and robust. He can easily fix or replace the tools he uses as they are commonly available. He also doesn't have to rely on electricity or have a fixed location. With an armful of tools he can take his trade wherever he sees fit. As long as he is able to work with his hands he will have a source of income.

After some time, we have a proper introduction. Bouba exudes the calm confidence of someone who is a master of his trade. The first day I spend a few hours watching, mesmerised by the pace and efficiency of his work. The work is clearly difficult - the sweat dripping from his brow demonstrates that. But Bouba is in his element, and when a problem or challenge arises he quickly surveys the situation and confidently goes forward without hesitation. At the same time, he is open to questions and not at all offended by my queries about how the boat will go together. I assure him that my questions are due to my interest in the process, not any doubt in his abilities. He simply tells me: "This is my work. If I can't tell you what I am doing then I don't know this work."
I like watching his facial expressions as he works. Usually he is calm and relaxed, but when a challenge presents itself he has a look of clear focus and thoughtfulness. A slight smile usually cracks his face when he solves the riddle and adds one more piece to this floating jigsaw puzzle. When Bouba explains how the boat should go together to his apprentices his arms fly about excitedly, drawing detailed pictures in the air. With all of his energy and excitement you can't help but get caught up in his enthusiasm.

When I ask Bouba how he became a boat builder it is clear this is much more than just a job to him. It is both a passion and part of his heritage.
"I've been doing this since I was a young boy," he tells me. "My brothers build boats, my father built boats and so did my grandfather and great grandfather." Everyone in his family learns to build boats. The first place the children in his family go after school is to their family boat yard. Bouba then makes it clear just what boat building means to his family: "One of the family, he has a big job with government, but every vacation he comes back to work on the boats. Building boats is what we do. If you don't know that, you don't have your heritage and you have nothing."
Bouba tells me that his family is mostly in Mopti, the real heart of river life on the Niger. His excitement is evident when I ask if we can visit his family's boat yard when we pass through Mopti. I'm excited to see it as well. With 40 people working together on boats of all different sizes it sounds like an impressive operation.
When I ask Bouba where else his family is, I'm a bit surprised at the answer. Most of his family lives in Mopti, Djenne and Bamako, but two of his brothers are currently working in Europe. I'm somewhat confused, wondering if he means they are working for large shipbuilders in Europe. He explains that his brothers work in France, Germany, the US and Japan sharing their knowledge on how to build wooden pirogues. Apparently this style of boat is in demand and Bouba's family are the experts on how to build them.

Not only is this a passion and part of his heritage, but it's also a business. I admired Bouba's skills as a craftsman right from the start, but it wasn't until I asked what his favourite boat to build was that I began to see his business acumen. I was surprised when he told me that the 20-metre pirogue is his favourite to build. I thought the precise work of a smaller boat would draw him in, but his thoughts are clearly revealed in his answer. "A 20-metre pirogue uses 4 or 5 men to build. The work is fast and not difficult. People take them up the river for transporting goods and many people will ask where they got their boat. Many people will be referred to you when you build a nice 20-metre pirogue." I can't say I underestimated Bouba, but I was so interested in his craft that I never thought much about his business. But it seems he knows very well which boat gives him the best profit margin, keeps more of his family at work and provides the best word-of-mouth advertising.
On Monday we sacrificed a chicken and gave kola nuts to the elders to ensure a safe journey, before heading off towards Segou. It might seem a bit odd to friends in Canada, but so would smashing a bottle of wine on a boat if you weren't expecting it. Bouba's pride in the boat was evident. I was just happy to have spent a week with a man as passionate and skilful as Bouba.

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Being an engineering design student and a entrepreneur at heart, there's nothing I like more than a story about a successful businessman. Especially one overcoming challenges.
Bouba seems very proud of his craft. He seems proficient, methodical and motivated. The very fact that Tom and Eli found him to build their boat shows he is running a successful business. I found it interesting that Bouba talked so strongly about his family ties to boating. I imagine him speaking with pride about a strong family tradition in quality craftsmanship. He makes is seem as if he couldn't imagine doing anything else but boat building. I wonder if he ever thought about doing anything else. Perhaps he felt trapped to follow in the footsteps of his ancestors. Then again, his brothers and family have found work in other areas and other fields, for example working for the government.
From my limited experience working with younger people in Tanzania I repeatedly got the sense of a desire to stray from the work and lives of their parents and move into a different work and world. I guess it's not so different from Canada. Some kids want to follow in their parents' footsteps, and others don't. It just seemed to me that in the developing world there is so much potential for outside influence from Western culture and media that it creates a desire for a life altogether different from their own - which may not even exist at all. To see such passion and perseverance with the craft his father and grandfathers worked at was very impressive. I'd guess it shows his talent.
Tom paints a picture of Bouba's efficient little workshop, with just the tools he needs. Nothing so frivolous as a power drill or circular saw. The image of chisel and hammer carving away the shape of a boat seems romantic and suited to a small boat maker on the Niger. Still, I would not be surprised to hear that Bouba would use power tools to speed up the process and expand his business, if he was given the chance. Entrepreneurs around the world share a passion to see their businesses succeed with whatever tools best suit the work. Over and over Tanzanians would complain to me: "if only I had machines, then I could really work" - pleading with me as if I could magically make them appear. I encountered farmers, craftsmen, bakers, and construction workers who thought that somewhere "over in my place" people were doing their same work five times as fast with half the effort. I guess by and large this is true - mixing and kneading dough is hard work by hand and much faster with machine - but the ideas and expectations of what could be accomplished with these machines was often unrealistic and even fanciful.
I have to be impressed by Bouba's business acumen. Building the longer boats which serve as the best advertisements is just the kind of gut-instinct marketing that will keep a small entrepreneur afloat. Again, the very fact he managed to attract two foreign visitors to his shop bodes well for his future sucess.
I'm excited to see how the boat turns out. No doubt if it sinks it will be no fault of Bouba's but rather of Tom or Eli's! Good luck!
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What a great story. I am really touched by this entry because it is very close to the experience I had while working in Tanzania. While working with rural manufacturers of treadle pumps I focused my efforts on understanding the bridge between appropriate technologies and their manufacture. Many things that at first seemed appropriate became cumbersome after time and many things that seemed inappropriate became essential.
The epiphany point for me was while visiting a Fundi's workshop (metal smith) in Kyela. We had seen several different workshops by that point, each with their own methods of production which we were trying to bring together into a set of best practices that we could share. This particular Fundi, however, was doing something we had never seen before: he was hammering out small pieces of sheet steel using a chisel and hammer. For hours he would tap-BANG-tap-BANG through the sheet steel when a few strokes of a hack-saw would have sufficed. At the end of the day I asked him why he wouldn't use a hack saw instead of a chisel. His response surprised me. "I'm not allowed" he said. "The engineer who trained me told me to use a chisel so I wouldn't spend too much on hacksaw blades."
A hacksaw blade cost 600 Tanzanian shillings ($0.60 USD) in that region, which admittedly is a considerable amount of money for a rural manufacturer - about 1 day's wages. However, I found it astonishing that in a process that requires 130,000 shillings of capital investment (provided on credit by the NGO) anyone would advise against a 600 shilling investment which could increase production rates many times over.
What added to this frustration was the fact that we were finding the largest difficulty in the project wasn't a lack of knowledge or skill or training of the Fundi's but rather in ramping up production of pumps to break even on operating costs. It would have been essential for the Fundi in Kyela to produce 3 pumps a week to break even on his rent, his electricity bill, his food, his employees, and all his other fixed expenses. Using a chisel he was only able to make one pump a week and therefore was worse off by being a part of the appropriate technology program.
My point is this: be careful of saying that power tools are inappropriate for this area, even if electricity is expensive or intermittent. The increase in production might offset the extra costs, as well as provide opportunities to include more employees in the production process. One has to realize that tools go through much adaptation in rural areas: chucks on drills are replaced with a wood block and a hammer, drill bits are made from car parts, hacksaws are made from furniture parts, and a stick welder can be used to fix just about everything within a 100 mile radius.
Be careful not to romanticise the basic tools Bouba is using now. The balance between traditional methods and providing opportunities for his family and community is a decision best left to Bouba.
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The Niger River, often referred to as the pulse of West Africa, is home to many people who rely on it and its surrounding land for their livelihoods. By exploring technology's role in their lives, Tom Owen hopes to illustrate the creativity, determination and ingenuity of the people who call the banks of this river their home.


Stephen Young is a systems design engineering student at the University of Waterloo. He volunteered with Engineers Without Borders Canada on a project in rural northwest Tanzania providing training to farmers on solar food dryer technologies.
Cameron Rout is a Junior Integrity Engineer at Cimarron Integrity Ltd. He volunteered with Engineers Without Borders Canada on a project in Tanzania and worked on prototype development and decentralized rural manufacturing of appropriate irrigation and lumber processing tools.